The Politics of Dancing

DUNKIRK  1 Perhaps I should start by saying that I have not yet seen recently released film Dunkirk, though the 1958 film on the same subject, starring John Mills, will take some beating. Whilst a BBC drama/documentary shown a few years back seemed a definitive enough exploration for me. I have also just begun reading the book by Hugh Seabag- Montefiore, also called Dunkirk. Indeed, it seems the mere mention of the small seaside town on the northern French coast is enough for British, I suspect especially English, readers to know what the film/book/dramatization is about. [1] Dieppe, for example, the scene of another British wartime disaster simply hasn't the same name recognition. So given the plethora of, often jingoistic, commentary about the evacuation let’s be clear from the outset, - the evacuation of British troops from mainland Europe was a disaster. It was a disaster for this country, a disaster, of course, for France, but a disaster for the whole of Europe. No

A Family Affair: Reading v's Listening: In The Aftermath of Grenfell 1. Orwell once famously compared this country to a family with all the wrong members in charge. Putting to one side one’s feelings about the accuracy of the analogy it seems a particularly bitter comparison now. For if we stay with the analogy we are a family at war with itself. The corrupt uncles and dodgy aunts have conspired to gamble away the family’s future. Making promises they knew they couldn’t keep and promising lottery sized bonanza’s they persuaded a small majority of the family to invest in a pyramid scheme called Brexit. As the promises begin to turn sour and the bank statements start to arrive there is a growing sense that the family has been betrayed and the dodgy uncles mumble barely comprehensible excuses. All the while an ageing hippy, a great uncle whom everyone had forgotten about, has suddenly become a star for the younger family members, making wild promises of his own and encouragin