THE SUPERNOVA THAT WAS DADA
Hugo Ball 100 years ago this month Dada was born in a cafe, The Cabaret Voltaire, in Zurich Switzerland, [1] - ‘a birdcage surrounded by roaring lions.’ Michael Ball, a German bohemian, mounted the stage dressed as a sort of human-bat and began flapping his ‘wings’ and shouting nonsense at the audience. The audience thought it truly terrible and consequently loved it. It was 1916 and Europe was destroying itself as young men slaughtered one another in a line of trenches that ran from the Swiss border to the channel coast. As a culture that looked upon itself as the pinnacle of civilisation descended into barbarism the only sane response was insanity. ‘The walls of the cabaret were decorated with primitivist masks and artworks by the likes of Picasso and Modigliani. Onstage, provocateurs mixed vaudeville acts and expressionist dance with performances that bordered on gibberish or lunacy, including a poem intoned in three languages at once, a Maori song belted out b...