PICKING THROUGH THE WRECKAGE
A J P TAYLOR THE HISTORY MAN
My favourite subject in
secondary school was history.
Almost all the subjects I
was taught at Secondary Modern School in the 1960’s were badly taught, this
included history, taught by an open racist and supporter of the South African
and Rhodesian regimes. Such were the times in which we lived. Still history being
such a fascinating subject it was possible to clamber over the clumsy teaching
to want to know more. This fascination was first ignited by the BBC documentary
series The Great War, narrated by Ralph Richardson. It is worth remembering
that this documentary was made just 50 yrs after the outbreak of the war, more
recent than Suez is to us today. Both my grandparents had fought in
the war which was still very much part of living memory. Watching the black and
white images on the screen was to view a recent past that was both strange and
savage. It was the first understanding for me that all our lives are lived in
context, and that context is history.
It was not until after I
left school that I started reading serious history and the historian who
provided the most accessible route into the past was A J P Taylor. The phrase
public intellectual was not commonly used in those days, at least I do not
remember its use, but Alan Taylor was one of the first of that breed, who,
through the medium of television and the question panel format, were able to
reach an audience previously outside the reach of mere academics. This move was
not greeted with universal acclaim and it is widely believed that Taylor ’s academic career was damaged as a result of his
engagement with the media, not only TV but also the popular press, to which Taylor regularly contributed; he was denied the
prestigious Regius Professorship in Modern History at Oxford in 1957. Snobbery, resentment and jealousy at his
popularity outside the narrow confines of academe, nowadays I suppose he would
be called a ‘celebrity,’ was widespread. After the publication and subsequent controversy
surrounding his ‘Origin of the Second World War’ he was vilified and accused of
revisionism.
But it was Taylor ’s voice that for me, and I expect for a great many
others, was the voice of historical context, of modern history. His television
lectures were famously unscripted, he simply stood talking directly into the
camera, no props, no fancy widgets, just the spoken word. It was amongst the
most gripping television I remember. I doubt that anyone today would commission
such a programme, would be thought crazy if they pitched the idea. This too
remember was mainstream TV, long before multi-channels, Taylor was given a slot on BBC one.
The first of his books I
read when I was sixteen was Europe Grandeur and Decline, a Pelican paperback
that introduced me to such figures as Metternich, and the complexities of the
Hapsburg Empire.[1]
And of course it was Taylor ’s steady, cautious, measured tones, his wit and
sharp intelligence that informed my reading. I particularly enjoyed his witty asides;
there were none so mighty to be able to escape a Taylor aside.
His interests may have
been European and to some extent Russian, or more precisely the Soviet Union , when it impinged on European affairs, but he was
no Europhile. He was something of that peculiar phenomenon of the British
labour movement, a left wing little Englander, he was interested in Europe precisely because it was filled with people who were foreign and
consequently interesting.[3]
Not exactly a fellow
traveller but certainly soft on communism, he continued to view Lenin as an
essentially good man. He was passionately anti German, though admired Bismarck . He apparently boasted that it was he who had
encouraged Benes to expel German citizens from the freshly liberated Czechoslovakia . He also, in a lecture in Dublin , advised the same solution to the problems of Ireland , i.e. the expulsion of the northern Unionist
minority. As this was the community into which I was born I could not share
Alan Taylor’s sanguine objectivity. Indeed there is something hideously
twentieth century in the image of a university professor happily sequestered in
ivy clad chambers shifting populations from one part of the map to another. Whilst
whispering in Benes ear he knew it would not be he who would be herding hapless
Czech/German peasants into cattle tracks whilst they clung to what remained of
their worldly possessions. Taylor ’s
dark side was the dark side of the age into which he was born, and was
consequently very dark indeed.
Yet as we approach the 100th
Anniversary of the outbreak of World War 1 it is difficult to find a clearer
explanation of the events of June and July 1914 than that provided by Taylor . In 1914 for all the European powers mobilization
meant just that, however for Germany mobilization meant war. Germany , so it believed, would be strangled in a purely
defensive war, it must knock out France quickly before the massive Russian armies could
assemble, and delay they believed would be fatal. None of the Entente powers
understood this; even the Kaiser did not grasp this reality. Once Germany felt itself compelled to mobilize a European war
became inevitable with catastrophic consequences for the continent. We live
with these consequences still. Taylor chose a life picking through the wreckage trying
to make sense of what had happened and the world that had been created out of
such destruction.
He could at times be
remarkably flippant, loved the telling anecdote, and like all masters of style
was at risk of placing it above substance. It is also no longer possible to accept
some of his more brisk and sweeping statements; still it would be hard to find
a clearer introduction to how we got here, to the context in which we now live
out our lives.
[1] In researching this piece
I find I am not alone, see;-http://www.timeshighereducation.co.uk/story.asp?storyCode=160501§ioncode=26
[2] Though it was Taylor who
observed, inaccurately in my opinion, that “...no matter what political reasons
are given for war, the underlying reason is always economic.”
[3] The much derided Hapsburg
Empire though provided a template for what European union might look like, with
cosmopolitan Vienna and the web of
nationalities living largely peacefully side by side. The novelist Joseph Roth,
who was certainly no reactionary, thought it far better than the patchwork of
mean spirited national states that superseded it. Only Czechoslovakia
was a successful thriving democracy and it was undermined by its German
citizens and the indifference of the Western democratic states to the fate of a
fellow democracy.
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